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Petr Mančal

Stage director

After graduation from a secondary school with extended sports curriculum, Petr Mančal pursued his studies at the Faculty of Law, Charles University in Prague. At that time he formed, together with Prokop Havel, a drama group named Měsíčko Sluncís, where the two staged their own, predominantly Dadaistic theatre sketches. A year later he left the Law Faculty and enrolled for a course in stage direction and dramaturgy at Prague’s Academy of Music and Drama. He completed his studies there in 2002, furthering his education during a year-long study visit at the PWST theatre school in Cracow, with the internationally renowned director Krystian Lupa; and a six-month study visit in London. He has to his credit a number of drama productions at Ostrava’s National Theatre of Moravia-Silesia, and Petr Bezruč Theatre (Václav Havel: A Butterfly on the Aerial; Slawomir Mrożek: The Magical Night; Pedro Calderón de la Barca: Life Is a Dream; Viliam Klimáček: Mária Sabina), at the F. X. Šalda Theatre in Liberec (Roman Sikora: Brushing away Antigona), the Western Bohemia Theatre in Cheb (Josef Topol: A Nightingale for Dinner), and at Prague’s Theatre on the Ballustrade (Ingmar Villquist – Helver’s Night), Theatre Na Prádle (Steven Rathman: The Satan’s Requiem), and the Small Vinohrady Theatre (Petr Mančal: A World Inside Out). He has also appeared as an actor in several stage, radio and film parts. He is currently pursuing doctoral studies at the Academy of Music and Drama, at the same time holding a job as radio drama director in Czech Radio.

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The Prague State Opera - Theatre History in Pictures and Dates - Book cover
The Prague State Opera – Theatre History in Pictures and Dates
Tomáš Vrbka
The Prague State Opera in cooperation with the Slovart publishing house publishes a representative book tracking the history of this significant cultural institution since its opening in 1888 till the end of the 2002/2003 season. The publication called The Prague State Opera – Theatre History in Pictures and Dates is focusing solely on the opera featured at the scene, even though the theatre under various names also served to presentation of drama plays, operettas and ballet. The Prague State opera plans to publish the volumes concentrating on those genres in the next years.

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